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The exhibition was born almost to accompany the imposing volume curated by Bruno Corà, in which the development of Ranaldi’s work may be observed through a corpus of small drawings which span forty years, from the Sixties to the present day. The complex overlapping of signs in the almost 800 reproductions which
make up the book are reflected faithfully in the way the show is set
up, with the pieces covering practically all the available space on the
walls. Press office: Susanna Fabiani: catalogue and photographs available on
request |
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